Interdisciplinary studies are increasingly widely recognised as being among the most fruitful approaches to generating original perspectives on the medieval past. In this major collection of 27 papers, contributors transcend traditional disciplinary boundaries to offer new approaches to a number of themes ranging in time from late antiquity to the high Middle Ages. The main focus is on material culture, but also includes insights into the compositional techniques of Bede and the Beowulf-poet, and the strategies adopted by anonymous scribes to record information in unfamiliar languages. Contributors offer fresh insights into some of the most iconic survivals from the period, from the wooden doors of Sta Sabina in Rome to the Ruthwell Cross, and from St Cuthbert's coffin to the design of its final resting place, the Romanesque cathedral at Durham. Important thematic surveys reveal early medieval Welsh and Pictish carvers interacting with the political and intellectual concerns of the wider Insular and continental world. Other contributors consider what it is to be Viking, revealing how radically present perceptions shape our understanding of the past, how recent archaeological work reveals the inadequacy of the traditional categorisation of the Vikings as 'incomers', and how recontextualising Viking material culture can lead to unexpected insights into famous historical episodes such as King Edgar's boat trip on the Dee. Recent landmark finds, notably the runic-inscribed Saltfleetby spindle whorl and the sword pommel from Beckley, are also published here for the first time in comprehensive analyses which will remain the fundamental discussions of these spectacular objects for many years to come.This book will be indispensable reading for everyone interested in medieval culture.Table of ContentsPrefaceAbbreviationsList of Illustrations Crossing BoundariesI. New Perspectives on Insular Sculpture and Art1. Clare The Riddle of the Ruthwell Audience, Intention and Originator Reconsidered2. Rosemary Heads you Lose3. Elizabeth Depiction of Martyrdom in Anglo-Saxon Art and Contexts and Contrasts4. Nancy Crucifixion Iconography on Early Medieval Sculpture in Wales5. George Pictish Relief Some Problems of Interpretation6. Isabel Reviewing the Relationship between Pictish and Mercian Art Fifty Years onII. Objects and Meanings7. Eamonn O CarragaThe Santa Sabina Crucifixion 'Between Two Living Creatures you will be Known' on Good Friday, at 'Hierusalem' in Fifth-century Rome8. Jane The Body in the the Iconography of the Cuthbert Coffin9. Catherine Reading the Trinity in the Harley Psalter10. Leslie Wundorsmitha a Mercian Sword-pommel from the Beckley Area, Oxfordshire11. James A Scandinavian gold brooch from Norfolk12. John A Glimpse of the Heathen Norse in Lincolnshire13. Helen Archaeological Evidence for Local Liturgical the Lead Plaques from Bury St Edmunds