This textbook on the vocal technique of a modern opera and concert singer makes a significant contribution to the scientific substantiation of a number of vocal and methodological provisions, generalization of voice science data, and the development of singing psychology issues. Author's vocal pedagogy is based on the use of mixed register, rounding of sound, cover. The publication is intended for students and teachers of higher and secondary specialized music educational institutions, as well as for everyone involved in voice production and its development.