Brussels. A panorama of tragic heroes, manipulative losers, involuntary accomplices. In his new novel, Robert Menasse spans a narrative arc between the times, the nations, the inevitable and the irony of fate, between petty bureaucracy and big emotions.Fenia Xenapoulou is facing a career setback. She has been >>promoted<< to the Department of Culture by the Directorate General - no budget, no power, no reputation. So the >>Big Jubilee Project<< comes just at the right time for her: she is to revamp the boring image of the European Commission. Her Austrian personal assistant Martin Susmann suggests proclaiming Auschwitz as the birthplace of the European Commission. Fenia is thrilled, but she didn't take the other European nations into account. Austria: a Polish camp could not be misused to question the Austrian nation. Poland: Auschwitz is a German problem. Germany: Islam, by now a part of Germany, had nothing to do with Auschwitz. What's more, Fenia can't count on David de Vriend, one of the last living witnesses, any longer: he runs to the metro station Maalbeek at the wrong time.Inspector Brunfaut is in a difficult situation as well. He is supposed to leave a murder case covered up at the highest level at rest. But luckily he is friends with the chief computer scientists of the Brussels Police Department, who can gain access to the secret files of the public prosecutor's office. Matek, the Polish hitman, knows nothing of this when he makes his escape. But he does know that he shot the wrong guy. That's not nothing to Matek. He would rather have become ordained a priest; the fact that he had to follow his father's and grandfather's footsteps in becoming a "soldier of Christ", doesn't really make him happy. And yes, there are others who are unhappy as well: the pig farmers who take to the streets with pitchforks in protest of the existing trade restrictions blocking the profitable export of pigs' ears to China