Writers from different postcolonial regions are usually classified according to their different nationalities or linguistic areas, and have rarely been brought together in one volume. Moving in a new direction, Postcolonial Archipelagos crosses not only geographical but also linguistic boundaries, by focusing on two contexts which seemingly have little or nothing in common with one the Hispanic Caribbean, and Lusophone Africa. Kristian Van Haesendonck thus opens new ground, in two first, by making connections between contemporary Caribbean and African writers, moving beyond the topos of slavery and negritude in order to analyse the (im)possibility of conviviality in postcolonial cultures; and secondly, by exploring new ways of approaching these literatures as postcolonial archipelagic configurations with historical links to their respective metropoles, yet also as elements of what Glissant and Hannerz have respectively called and " Tout-Monde and " and a and "world in creolization and ". Although the focus is on writers from Lusophone Africa (Mia Couto, Jose Luis Mendonca and Guilherme Mendes da Silva) and the Hispanic Caribbean (Junot Diaz, Eduardo Lalo, Marta Aponte, James Stevens-Arce and Edgardo Rodriguez Julia), connections are made with and within the broader global context of intensified globalization.