The collection "Cinema and Capital" combined very different texts under its cover. Among them, the reader will find academic statements, political pamphlets, metaphysical meditations, sociological studies, historical reviews, economic reconstructions, psychoanalytic interpretations. Moreover, they all use the concept of "capital" as a methodological lens, thereby including cinematic practices in various forms of a single symbolic exchange. The reader of this book will not only get an idea of ​ ​ a number of aspects of the modern film process, but will also be involved in the current problems of humanitarian knowledge, feel involved in the contradictions of today's global world both at the level of "high" theory and in the field of everyday life.