Table of Preface. Diane Wolfthal, 'Florentine Bankers, Flemish Friars, and the Patronage of the Portinari Altarpiece'; Michael Rohlmann, 'The Annunciation by Joos Ammann in Context, Function and Metapictorial Quality'; Creighton Gilbert, 'Piero and Bouts'; Francis Ames-Lewis, 'Sources and Documents for the Use of the Oil Medium in Fifteenth-Century Italian Painting'; Maria Clelia Galassi, 'Aspects of Antonello da Messina's Technique and Working Method in the 1470 Between Italian and Flemish Tradition'; Colin Eisler, 'Flying Pictorial Carpets - Tapestries' Transalpine Agendas'; Ingrid D. Rowland, 'Agostino Chigi's Flemish Connection'; Elizabeth Ross, 'Mainz at the Crossroads of Utrecht and Erhard Reuwich and the Peregrinatio in terram sanctam (1486)'; Ingrid Alexander-Skipnes, 'Northern Realism and Carthusian Bergognone's Christ Carrying the Cross for the Certosa of Pavia'; Marina Belozerskaya, 'Critical Importing Luxury Industries Across the Alps'; Barbara G. Lane, 'Memling's Impact on the Early Raphael'; Laura D. Gelfand, 'Regional Styles and Political Margaret of Austria's Monastic Foundation at Brou'; Yona Pinson, 'Moralized Triumphal Chariots - Metamorphosis of Petrarch's Trionfi in Northern Art (c. 1530- c. 1560)'; Frits Scholten, 'Spiriti veramente Sculptors from the Low Countries in Italy, 1500-1600'; Nello Forti Grazzini, 'Brussels Tapestries for Italian Cardinal Montalto's Landscape with Animals Made by Jan II Raes and Catherine van den Eynde'. Bibliography.