The credits have rolled, but the lights are still off. Something is lurking on the other side of the screen. There are dark secrets, starving monsters, and haunted survivors who refuse to be left on the cutting room floor. But that's okay, right? After all, everybody loves the movies.... Here are twenty-three terrifying tales, dark reflections of the silver screen from both sides of the camera. James Dean gets a second chance at life - and death. The Wicked Witch is out of Oz and she's made some unlucky friends. When God decides reality needs an editor, what - and who - gets cut? These award-winning, bestselling authors will take you to the darkest depths of the theater and beyond.TABLE OF CONTENTSIntroduction by Genevieve Valentine Preface by Ellen Datlow and "The Cutter and " by Edward Bryant and "The Hanged Man of Oz and " by Steve Nagy and "Deadspace and " by Dennis Etchison and "Cuts and " by F. Paul Wilson and "Final Girl Theory and " by A. C. Wise and "Lapland, or Film Noir and " by Peter Straub and "The Thousand Cuts and " by Ian Watson and "Occam's Ducks and " by Howard Waldrop and "Dead Image and " by David Morrell and "The Constantinople Archives and " by Robert Shearman and "each thing I show you is a piece of my death and " by Gemma Files and u0026 Stephen J. Barringer and "Cinder Images and " by Gary McMahon and "The Pied Piper of Hammersmith and " by Nicholas Royle and "Filming the Making of the Film of the Making of Fitzcarraldo and " by Garry Kilworth and "Onlookers and " by Gary A. Braunbeck and "Recreation and " by Lucy Snyder and "Bright Lights, Big Zombie and " by Douglas E. Winter and "She Drives the Men to Crimes of Passion! and " by Genevieve Valentine and "Even the Pawn and " by Joel Lane and "Tenderizer and " by Stephen Graham Jones and "Ardor and " by Laird Barron and "Final Girl II: the Frame and " by Daphne Gottlieb and "Illimitable Dominion and " by Kim Newman