With wit and cunning, Noble's poems insinuate themselves into the mediations of and "we use language and " and "language uses us, and " into the objectification of and "mind, and " into the struggles and cracking of systems. Cuing on Hegel's epochal revitalization of the syllogism, they begin with sentences-cum-arguments that issue from an everyman's intentions and insights, playing into and baiting the and "sociality of reason. and " In the cut-up sentences then come the restless, accelerated themes - themes that exist only in their variations, ghosting into one another like the dusk and the dawn in a winging, distended now.