"Dispute of faculties" is a special work of Kant. It, like no other, makes it possible to feel the presence of the author in it, filled with the movement of his thought and the beating of his heart, his wise humanity. The philosopher in him not only exposes the soul, but opens its movements. From the mass of experience of unparalleled life, which is not hidden so far in the "Dispute of Faculties" as in the strict periods of the famous "Critic," two horizons open at once: the horizon of humanity's movement towards its future and the horizon of the author's personality - a person capable of unprecedented creativity. This is not to say that these two horizons quite fully explain each other and it becomes clear how obviously accomplished is possible. Ingenious creativity is a secret, ingenious philosophical creativity is a doubly secret. No matter how much you look at the circumstances of a genius's life, decompose this life for minutes and determine the content of each, you will not be able to learn how to create something similar to what was created. The good thing is that much is at least explained.