The book explores the rules of organization of fine images and compositions in the art of Iran. The fine arts of medieval Iran are considered against a wide background of other manifestations of culture: literature, philosophy, crafts. The logic of the movement of art is traced, its transformation on the way of transition from graphic forms of artistic expression to purely pictorial. Particular attention is paid to Persian poetic terminology, as well as modern terminological equipment of the history and theory of art, rhetoric and literary poetics. Concludes a series of practical developments that study the rules for the formation of individual images and compositional schemes based on theoretical conclusions in the main text of the study.