Of all the richest artistic heritage of Ancient Rome, a sculptural portrait belongs to almost the first place. This collection is dedicated to its development from harsh, laconic images to more psychological, from exquisite to lavishly deliberate, and then canonically abstract. The authors deeply and interestingly reveal the specifics of the plastic language of ancient sculptors, the stylistic features of each period. This book will acquaint readers with the rich heritage of the Roman sculptural portrait.