The book provides a historical overview of the film theory, covering almost the entire period of its existence. The material is organized around the question "what is the relationship between cinema, perception and the body?" and seven conceptual metaphors: window and frame, door, mirror, eye, skin, hearing organ and brain. The final chapter outlines pathways for research into the cinematic experience in the digital age. The publication is equipped with a glossary explaining the basic concepts. The book is recommended for students and teachers of humanitarian universities.