Even the most avid moviegoers most often watch movies in the broad meaning of the word - they evaluate the story, follow the characters, enjoy the overall beauty of the image. We do not think about cinema language, as we do not think about grammar, reading Dostoevsky's novels. But this book will show you another way to get acquainted with the film - its deep "reading," in the process of which we not only get acquainted with the plot, but also consciously read many copyright decisions in various areas of the film language.