The material presented in this publication covers the issues of theory and history, the practice of studying and mastering it, the main requirements for working on a man-made font. The author does not seek to limit the topic of conversation about font graphics to a narrow area of ​ ​ application, but using the example of propaganda and design art, which is currently changing its forms and content, shows the main patterns prevailing in font as a special kind of graphic art and independent of the field of application. In this sense, the book meets the requirements of the textbook both for the training of graphic artists, artists of other profiles, and for a wide range of readers who want to write, draw and understand the font beautifully.