The works of Pavel Ulitin (1918-1986) are difficult to define in genre. Since the forties, he has consistently built his own, which has no distinguishable analogues, form of prose statement. "I want to find words that have no surplus value," Ulitin wrote, and called his writing technique "the style of a hidden plot." The movement of this plot determines the change of paintings and quotes, the cross hum of voices in memory or the ironic author's commentary.