This book is dedicated to the most active period of activity of Russian avant-garde artists in the Russian province, during which the geographical distribution of the avant-garde in the country reached its maximum scale (from Petrograd to Vladivostok and from Arkhangelsk to Tiflis) and predetermined the heyday of provincial artistic life. The promotion of the Russian avant-garde in the province took place both due to the move of metropolitan artists there and the centralized dispatch of emissary artists to reorganize artistic life, and at the expense of local artistic forces.